Join award-winning multidisciplinary artist Victor Payan for a delightful conversation about his Mexican wrestler alter-ego, Lou Chalibre, the international mask of mischief, and projects such as KEEP ON CROSSIN', and his collaborations with Pocha Peña, AZTEC GOLD, THE MINUTE MAIDS and DREAMOCRACY IN AMERICA, that use humor, history, performance and local iconographies to create engaging […]
In this revolutionary self-help guide, two beloved Native American wellness activists offer wisdom for achieving spiritual, physical, and emotional wellbeing rooted in Indigenous ancestral knowledge. When wellness teachers and husband-wife duo Chelsey Luger and Thosh Collins founded their Indigenous wellness initiative, Well for Culture, they extended an invitation to all to honor their whole self […]
Please join us for an interactive writing experience that engages questions of place, Latinx literature and the visual works of Latinx artists currently featured in “A pattern, a trace, a portrait: Four Artists from CALA Alliance’s Residency Program,” on exhibition at the ASU Art Museum. Dr. Mahlika Hopwood will lead you through a reflective discussion, tour and […]
ASU Art Museum and Dreamocracy in America invite you to join us for a free lucharrific performance in Galvin Plaza featuring artists Victor Payan and Pocha Peña, Tempe’s own The Bridge Improv, Performance Artist Lizbett Benge, Artist Dolores Copalera, legendary Mask Maker/Performer Zarco Guerrero and more! The Rudos y Técnicos lucharrific extravaganza is presented by […]
Join ASU Art Museum Director + Professor of Practice Miki Garcia for a private classroom-style lecture covering various topics in support of lifelong learning and the arts. This is a unique three-part experience hosted by dialog phx, a new retail and coffee shop space in downtown Phoenix. Come to one class or take them all! […]
Join this inaugural workshop series for older adults (55+) to work with storyteller Marilyn Omifunke Torres on how to explore and frame your own narrative, and create art reflecting your experiences with interdisciplinary artist Diana Calderón, whose work is currently on view at ASU Art Museum in A pattern, a trace, a portrait: Four Artists […]
Join Mary-Beth Buesgen, curator of collections and archives, at the Ceramics Research Center for a tour of the open storage ceramics collection and learn about current Artist in Residence, Cesar Bernal. Free tickets: Curator IRL XP: May 19 (3:00-4:00pm)
Join ASUAM at Phoenix Art Museum for Family Funday. Phoenix-based Chicana artist, Aileen Martinez, will lead a sketching activity through Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection.
Come learn from multidisciplinary artist César Esteban Bernal about their work and process. Bernal’s use of the metaphor of sustenance through corn tortillas explores cultural identity and personal narratives. What story do you have to tell? Experiment through their process using tortillas and paint to create your own takeaway piece. Free tickets: https://www.eventbrite.com/e/tortilla-painting-with-cesar-bernal-tickets-648256020207
This is a unique opportunity to meet an ASU Art Museum curator and go beyond the typical exhibition tour. In real life, experience behind the scenes, visit, ask questions, tell stories, share insight and engage in meaningful exchange with art, culture and ideas. Stop by the Museum or CRC every third Friday of the month! […]
Exclusive Exhibition Tour: Lo que es, es lo que ha sido/ What It Is, Is What Has Been: Selections from the ASU Art Museum's Cuban Collection Wednesday, June 21 5 to 5:45 p.m. Tickets: FREE for Members and the general public during Pay-What-You-Wish Wednesday Join exhibition curators Olga Viso, Phoenix Art curator— at— large […]
Wednesday, June 21 6 to 7:30 p.m. Tickets: FREE for Members. $5 for the general public during Pay—What—You—Wish—Wednesday Discover the life and practice of Cuban contemporary painter, printmaker and installation artist Sandra Ramos who explores nationality, gender, and identity in her work by drawing from her own experiences living in and migrating out of […]
