The ASU Art Museum presents an audio-visual installation of a version of Cage's "49 Waltzes" for the ASU Tempe campus, realized by 23 students from the School of Music and the School of Arts, Media + Engineering for the museum. In 1977 the American composer John Cage created "49 Waltzes for the Five Boroughs of […]
Events
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11 events,
ASU Art Museum’s Public Art
Made possible with a gift from Robert and Avery Moric, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett, The Honors College Class of 2023) and the ASU President's Club. Commissioned by Arizona State University Art Museum with funding by The Diane and Bruce […]
Making Visible
“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13,000+ objects entering the collection as gifts, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further, it explores […]
Opportunity (reflection)
World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic […]
Lo que es, es lo que ha sido/What It is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection
Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum's Cuban Art Collection explores artistic expression during times of humanitarian crises and social upheaval. Located at the Phoenix Art Museum, the exhibition is the first major curatorial collaboration between Phoenix Art Museum and ASU Art […]
Cuban Print Collection
In conjunction with Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection at the Phoenix Art Museum, the ASU Art Museum presents their Cuban Print Collection. A portfolio of eleven prints was published by Arizona State University Art Museum in conjunction […]
Open Studio with Susan Allred
The Ceramics Research Center is launching a new artist residency program, featuring two textile and fiber artists in this first iteration. The residency offers artists an open studio space, opportunities to work with the Museum’s permanent collections and to meet with curators, students, scholars and museum audiences. Two days a week, their studios will be […]
Full Event Schedule @ Phoenix Art Museum for “Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection”
Talk: Olga Viso, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América in dialogue with Paul A. Rogers, The Gerry Grout Director of Education and Engagement Viso and Rogers discuss the challenges of creating an exhibition for multiple audiences and across US-Cuban borders, and explore the thematic and contextual richness of Elso’s art. Wednesday May […]
Everything is a Little Fuzzy
“Everything Is a Little Fuzzy,” draws from the museum’s permanent collection. With an eye on dimensions of memory and care, it explores the challenges experienced in a post-pandemic world. The exhibition highlights aspects of care, emphasizes memory, communicates resilience, and explores softness through difficult circumstances. Twenty-two artworks on display feature textile objects or the usage […]
Crafting Resistance
Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials […]
Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
Luis Rivera Jimenez (b. 1997 San Juan, Puerto Rico) uses the intricacies of language, political thought and daily experience in the Caribbean to create intentional spaces of learning, conversation and care. The artist’s sculptural objects and installations pose questions about the dynamics of race and representation. His practice reflects upon and explores the underpinning of […] |
10 events, |
9 events, |
9 events, |
9 events, |
9 events, |
9 events, |
9 events,
Waltzing on the ASU Tempe Campus: John Cage’s "49 Waltzes for the Five Boroughs of New York"
ASU Art Museum’s Public Art
Making Visible
Opportunity (reflection)
Lo que es, es lo que ha sido/What It is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection
Full Event Schedule @ Phoenix Art Museum for “Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection”
Everything is a Little Fuzzy
Crafting Resistance
Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
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9 events, |
9 events, |
9 events, |
11 events,
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Starting on September 7th, join us at the ASU Art Museum every first Thursday of the month from 12 p.m. to 1 p.m. to explore our conservation lab! This is a unique opportunity to meet our lead conservator, Dana Mossman Tepper, and discuss all things relating to art conservation, examination, documentation and research. For free […]
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Board of Directors 2024 Race and Cultural Cosplay Retreat Session II Annual Report, Insights and Developments into Race and Cultural Cosplay Thursday, September 7, 2023 // Performance 1:00–5:00 PM // ASU Art Museum Gallery 1 + 2 We will discuss key points into our survey and share our conclusions into the current state of Race […] |
9 events, |
9 events, |
9 events,
Waltzing on the ASU Tempe Campus: John Cage’s "49 Waltzes for the Five Boroughs of New York"
ASU Art Museum’s Public Art
Making Visible
Opportunity (reflection)
Lo que es, es lo que ha sido/What It is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection
Full Event Schedule @ Phoenix Art Museum for “Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection”
Everything is a Little Fuzzy
Crafting Resistance
Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
|
9 events, |
9 events, |
9 events, |
9 events, |
10 events,
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Join us for our 5th annual Independence Day Celebration to honor the contributions and culture of the Mexican and Mexican-American communities as well as acknowledging independence days across the Americas. In partnership with The Consulate General of Mexico, CALA Alliance, and COVIDLatino, the event features El Grito from the Consul Armando Esparza, artmaking activities, workshops […] |
9 events, |
9 events,
Waltzing on the ASU Tempe Campus: John Cage’s "49 Waltzes for the Five Boroughs of New York"
ASU Art Museum’s Public Art
Making Visible
Opportunity (reflection)
Lo que es, es lo que ha sido/What It is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection
Full Event Schedule @ Phoenix Art Museum for “Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection”
Everything is a Little Fuzzy
Crafting Resistance
Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
|
8 events, |
8 events, |
8 events, |
8 events, |
9 events,
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This is a unique opportunity to meet an ASU Art Museum curator and go beyond the typical exhibition tour. In real life, experience behind the scenes, visit, ask questions, tell stories, share insight and engage in meaningful exchange with art, culture and ideas. Stop by the Museum or CRC every third Friday of the month! […] |
8 events, |
8 events,
Waltzing on the ASU Tempe Campus: John Cage’s "49 Waltzes for the Five Boroughs of New York"
ASU Art Museum’s Public Art
Making Visible
Opportunity (reflection)
Full Event Schedule @ Phoenix Art Museum for “Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection”
Everything is a Little Fuzzy
Crafting Resistance
Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
|
8 events, |
8 events, |
8 events, |
9 events,
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Hosted by ASU School of Art, join us for a guest lecture with ASU Art Museum’s Encounter Series artist-in-residence and guest curator, Ibrahim Said. Learn more about Said’s process, how his work connects to the desert landscape, and about his upcoming exhibition, Contours: The Essential Form, at the Ceramics Research Center. More information here: https://asuevents.asu.edu/event/guest-artist-lecture-ibrahim-said?eventDate=2023-09-26 […] |
8 events, |
10 events,
Contours: The Essential Form
“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976, Fustat, Egypt). Through ceramic objects and works on paper, the exhibition explores themes of nature, care and discipline through the lens of muscle memory and intuitive artistic practice. Said was an invited artist in October 2022 […]
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In celebration of the opening of Contours: The Essential Form, you are invited to a reception with Encounter Series artist-in-residence, Ibrahim Said, and Collections and Archives Manager, Mary-Beth Buesgen. Join us for opening remarks and light refreshments. |
